This is an extremely poor film. It is awfully self-conscious, with stilted dialogue that barely advances the plot and does even less in fleshing out the characters. The performances, for the most part, suffer from being restricted to stilted mannerism or speechifying and the whole thing lacks the sort of vigor needed to provide dramatic momentum. The photography is never more than functional, and at best the editing denies the film much needed energy, while at worst, it has all the subtlety of a sledge-hammer (note the scene in the dining room when one the characters says he thinks that a civilization is coming to an end and there is a cut to a log breaking in the fire). The score meanwhile, seems to have been lifted from a temp track and poorly mixed, and while the locations and costumes are absolutely authentic, you can only wonder what the likes of Merchant-Ivory would have done had they gotten their hands on it.

But then, perhaps they would have passed. The whole story is… more »

This is an extremely poor film. It is awfully self-conscious, with stilted dialogue that barely advances the plot and does even less in fleshing out the characters. The performances, for the most part, suffer from being restricted to stilted mannerism or speechifying and the whole thing lacks the sort of vigor needed to provide dramatic momentum. The photography is never more than functional, and at best the editing denies the film much needed energy, while at worst, it has all the subtlety of a sledge-hammer (note the scene in the dining room when one the characters says he thinks that a civilization is coming to an end and there is a cut to a log breaking in the fire). The score meanwhile, seems to have been lifted from a temp track and poorly mixed, and while the locations and costumes are absolutely authentic, you can only wonder what the likes of Merchant-Ivory would have done had they gotten their hands on it.

But then, perhaps they would have passed. The whole story is so precious about itself and the passing of an age, it lacks the one crucial element that would have allowed the film to endure at least beyond its own age: a sense of humor. And I don't mean exclusively comedy. I mean a range of emotions: a SENSE of humor. The whole thing is so relentlessly and self-indulgently maudlin. It needed a lightness of touch, verbal wit, satire... in terms of cinema, what it needed to study was Renoir's masterpiece The Rules of the Game. That movie had everything: wit, motion, a sense of cinema, fully fleshed out and contradictory characters, each one of them flawed in their own unique but understandable way. What is more, Renoir made his film in 1939 as a contemporary commentary... and somehow, the comedic strain is one of the reason why that film is still considered a masterpiece.

The Shooting Party is a film (based on a book) that appears to have taken at least part of Renoir's plot and then, although written in 1980, decides to push its time frame back to the eve of WW1. But even with that added view of history, it adds nothing to what Renoir achieved. On the bonus material for the DVD, we are told that it is a classic, one of the greatest British films ever made. Says who? The producer of the film? Claims are made that it broke all sorts of box-office records across the globe and was festooned with awards left, right and centre. It appears to me that the makers of that particular DVD documentary are almost as delusional and pompous as the characters in the film. At least when Julian Fellowes wrote Gosford Park, there was a self-awareness about the proceedings and so, the film has the confidence to send itself up at the same time. LIke all great Altman films, Gosford Park captures a moment when a culture shifted... and leaves you both regretful and grateful that the shift occurred. The Shooting Party leaves you wondering how on earth some people lavish it with such praise.