Cascada's debut album is irresistably catchy thanks to no other than natalies dreamy vocals which can switch from being sad to happy in an instant especially on tracks like "Miracle", whilst being pumped up for "Everytime we touch", and "Never ending dream" while also singing decently on covers such as Nik Kershaws track "Wouldn't it be good" and Savage Gardens "Truly, madly, deeply" and Kim Wilde's "Boys in america".

Dance music can come in all shapes of peculiar forms bouncing from addictive to the downright annoying but Cascada is the one that stands out purely for the fact of Natalies vocals ALONE.

Cascada was the first group that got me into Dance music. I normally listen to Rock but there was something I liked about their music.

The tracks on this album have all got great beats to get bopping along to weather at home (which you'll properly find me doing) or in a club. These beats are out-shadowed by the amazing voice that Natalie has. Every single song on here is brilliant! Must Buy I would say

I was tired when I bought this and I didn't know what I was doing. That's my story and I'm sticking to it.

Almost every song has the same beats and the same (deliberately) distorted stacatto synth playing the melody between the verses. Basically sounds very much like Scooter but without the shouting. And I am not a fan of Scooter.

In the sleeve notes Natalie thanks Yann and Manuel for the hours they spent in the studio bringing the songs to life. Well, they did some good production on this album - all the songs sound quite polished. Unfortunately the insisted on using the same drum patterns and synth voices for almost every track.

Only gets two starts because Natalie sure can sing. Natalie, if you ever read this, dump these two and sing with a proper band.